Bram, C. (2012). Eminent outlaws: The gay writers who
changed America. New York: Twelve.
Eminent Outlaws is a history lesson
on the gay literary authors who wrote in the time period of the 50s through the
90s and after. While reading
Bram’s historical narrative, you can understand the major writers who
approached gay literature differently but collectively were able to impact
writing and works that were published in general in America and beyond.
Bram explains the different
cultural and historical events and their relationship and impact on attitudes
and ideas shared by the gay writers of this time. There is a lot of variation
in how the writers approached their literary works and it was definitely
impacted by the time period in which the authors wrote and lived. Some wrote
about openly gay characters and lived an openly gay lifestyle while others
wrote plays that only hinted or mentioned the idea of homosexuality and lived
their lives behind closed doors.
The way in which homosexuality
was explored in literature was impacted by how the gay movement itself
developed. In the 50s
“homosexuality was not completely forbidden, but it was in a tight spot” (Bram,
2012, p. 20). Still, it seems that didn’t change because fifty years later, admirers
downplay the “Gayness” of poetry and the author Ginsberg (p. 37). Bram shares
that during the 50s, many writers were silent on homosexuality, but it was so
“despised in some circles” it was seen as a threat (p. 69). Although this changed in the 60s when
readers wanted to see relationships for what they really were (p. 79) and when viewers
wanted to watch gay figures shine on late night talk shows (p. 89). Riots in the late 60s caused a few problems,
but this raised publicity of the movement when gay bars were regularly raided and
gays were arrested (p. 134-135). Many were not sure which direction to go to
best fight for gay rights – this led to many arguments and schisms for how to
move forward (p. 136). Gay
liberation would follow in the 70s; but it wasn’t unordinary for gay literature
to be published after the authors died to protect their reputations (p. 151). The
biggest shift came in the 70s when gays in larger numbers finally gave
themselves a name and they told their families about their preferences too (p.
194).
Christopher Bram combines all of
the authors from this time period in one book for any readers who are
interested in the development of gay authors and its impact on America’s 20th
century. The book itself is laid
out in a readable format and the chronological procession makes it easy to
follow along with the development of the time. I would recommend this book for
adult readers, gay or straight, and public libraries with diverse populations. This book would fit well in a library’s
collection on social history and gay literature. Any readers who can appreciate
a cultural history book interwoven with personal stories about the author’s
lives will appreciate this novel.
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